23/14
Jean Reno filmed scenes for the film, but they were cut entirely from the finished film
Tale
A high-powered CEO puts her career and family at risk when she embarks on a whirlwind romance with a much younger intern. I recently watched Babygirl, and I have to say it’s one of the most unique and daring thrillers I’ve seen in a while.
First and foremost, the visuals are stunning
Directed by Halina Reijn, the film delves deeply into the complexities of human desire and power dynamics, wrapped in an intense, almost suffocating atmosphere. Jasper Wolf’s cinematography captures the raw emotion of each scene, blending light and shadow to create a moody, almost dreamlike world.
Nicole Kidman gives a stunning performance, giving her character a combination of vulnerability and cold calculation
There’s a constant sense of tension, as if something explosive is always going to happen, and the pace keeps you hooked for the rest of your life. The supporting cast, while lesser-known, also do a great job, lending depth and unpredictability to the story.
Also, Babygirl isn’t for everyone
Without giving too much away, the film’s exploration of psychological control and subjugation is unsettling and mesmerizing. Its erotic elements are tastefully done, but some viewers may find them uncomfortable or contradictory.
It’s haunting, stylish, and will keep you thinking about it long after the credits roll
The storyline sometimes feels intentionally vague, forcing you to connect the characters’ motivations, which I found intriguing but may disappoint others. Overall, if you’re into psychological thrillers that don’t shy away from taboo subjects and push the envelope, Babygirl is definitely worth a watch.
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